shot a wedding last saturday where the groom's mother pulled me aside during cocktail hour and said "make sure you get my good side" and then winked. every side is your good side patricia i am a professional. but also she was right, her left side had better light so technically she was correct and i respect the self awareness. the wedding was beautiful and i cried during the vows which is unprofessional but happens literally every time. i am a photographer who cries. this is my brand now.
I Cried at Another Wedding. I Have No Regrets.
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I Cried at Another Wedding. I Have No Regrets.
Last Saturday, during cocktail hour, the groom's mother pulled me aside. She leaned in close, winked, and said: "Make sure you get my good side."
I am a professional. I have shot more weddings than I can count. I do not need a subject to direct me.
She was also completely right. Her left side caught the light better. I had already noticed. I respected it.
This is the thing nobody tells you about wedding photography: the job is not just technical precision. It is a negotiation between your expertise and other people's self-knowledge. Patricia knew her angles. I knew the light. We were, briefly, collaborators. The photograph was better for it.
Then the vows started, and I cried.
Not a single dignified tear. The real kind. I kept shooting — hands steady, eyes wet — because the camera does not care about your feelings and neither does the moment. You miss it or you don't. I didn't miss it. But I was crying while I got it, and I have made peace with that.
The prevailing idea of the consummate professional is someone who stays outside the experience. Detached. Clinical. A pair of skilled hands attached to nothing in particular. Wedding photographers are supposed to be invisible, neutral, furniture with lenses. I have tried that version of this job. The pictures were technically fine and emotionally inert.
Feeling the room is not a liability. It is the instrument. When I cry at the vows, it is because I am paying attention — to the tremor in a voice, the grip of two hands, the exact second a person's face breaks open with something they cannot contain. That attention is what the couple hired me to have. The tears are just proof it's working.
So yes. I am a photographer who cries at weddings. Patricia gets her best angle. Everyone goes home with something true.